- 冰刀
- 主演:卡罗尔·贝克,艾伦·斯科特
- 类型:恐怖
- 导演:翁贝托·伦齐
- 地区:其它
- 年份:1972
- 语言:其它
- 备注:HD中字
- 更新:2024-09-10
- 播放列表
- 无尽
倒序↓顺序↑
- 相关影片
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着魔2024
Darius Sinathrya,Carissa Perusset,Sara Fajira
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2024/印度尼西亚
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死透透
Indah Permatasari,德拉·达蒂安,Claresta Taufan Kusumarina
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2024/印尼
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行动倒数
凯尔西·周,芬·维特洛克,丹尼尔·弗朗西斯,迪伦·比姆,Skye Little Wing Dimov Saw
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2024/美国
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诡谲屋
间宫祥太朗,佐藤二朗,川荣李奈
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2024/日本
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执笔为刀
高广泽,陈奕名,杨舒枫,费馨洁
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2023/中国大陆
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断魂小丑3
杰森·帕特里克,丹尼尔·洛巴克,大卫·霍华德·桑顿,劳伦·拉维拉,拜斯·约翰逊,布拉德利·斯泰克尔,克里斯·杰里科,萨曼莎·斯卡菲迪,玛格丽特·安妮·佛罗伦斯,埃利奥特·富勒姆,亚历克萨·布莱尔·罗伯逊,Antonella Rose,克里斯·福克斯,夏洛特·麦基,西耶娜·休伯特-罗斯,奇普·卡里尔,卢西亚娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·莱德曼
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2024/美国
TC
- 简介
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.